Audrey Tautou

Both epic and intimate, A Very Long Engagement reunites Audrey Tautou and Jean-Pierre Jeunet, the star and director of the hugely popular Amelie. A young woman named Mathilde (Tautou, Happenstance)separated from her lover by World War I refuses to believe he's been killed and launches an investigation into his fate--an investigation that spins in all directions, creating dozens of miniature stories (including that of an Italian prostitute avenging the death of her own lover by elaborate means) that shift to and fro in time. The dazzling curlicues of narrative put brutality and tenderness back to back, shifting between crushing inevitabilities and miraculous rescues with deft storytelling skill and the lush visual style of the director of Delicatessen and The City of Lost Children. Through it all, Tautou--fierce and luminous--anchors the movie effortlessly...
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The luminous Audrey Tautou (Amelie) stars in Dirty Pretty Things, a riveting thriller about an illegal immigrant in London named Okwe (Chiwetal Ejiofor, Amistad), a doctor in his homeland who now works days as a taxi driver and nights as a hotel desk clerk. When a hooker tells him there's a mess in one of the hotel's bathrooms, Okwe finds a human heart in the toilet. He soon discovers a snare of desperation, poverty, and black-market body organs--and finds that his only friend, a Turkish hotel maid (Tautou), may be the next to be caught. Dirty Pretty Things, skillfully directed by Stephen Frears (High Fidelity, Dangerous Liaisons, My Beautiful Laundrette), fuses taut suspense with an unsettling portrait of life among the British underclass of immigrant service workers...
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A frothy 1925 operetta, performed by a glittering cast that includes Sabine Azema and Audrey Tautou, might not sound precisely like the great director Alain Resnais's glass of champagne. But Not on the Lips (Pas sur la bouche) is in a line of Resnais films that uses false sets and stylized acting for its effect. This musical farce follows a wife (Azema) trying to keep her husband (Pierre Arditi) from learning that she was actually married once before--to an American who is about to become hubby's business partner. Awkward. Audrey Tautou, in a distinctly supporting role, navigates the trickery of flirtation as she tries to attract lounge lizard-y Jalil Lespert. Azema and Arditi are smooth as glass, but the standout here is Lambert Wilson (the French dude of the Matrix saga) as the tall, cigar-smoking American businessman, who disdains the un-hygenic dangers of kissing on the lips...
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Comment: This is an earlier Audrey Tautou movie (2000), with a feel darker than Amelie, but not as heavy as Pretty Dirty Things. In this film, Tautou (as always) plays an off-center lovable young woman (Anne-Sophie) who finds unique ways of dealing with the difficulties of life. When she travels to Paris to surprise her boyfriend and finds him with another woman, Anne-Sophie decides to end it all in a gymnasium. However, she instead meets two sisters who have another way of dealing with life - petty crime. Despite some rough starts, the three become rather like sisters. The movie perpetually crosses between (and together) comedy and drama, but never seems to leave the scope of the three women and those close to them (the "step-father" cop, the single mom, the boyfriend to revenge)...
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